Read “The Grass Eater,” my new personal essay as part of a live virtual reading organized by the AWP Creative Writing Caucus at the virtual AWP 2021 on March 4. At the center of the story is a devilish 7-year-old who wrecks his mother’s seaside honeymoon. The setting is the Republic of Georgia; the time is the disco era. The story was developed in a workshop led by Marion Winik. As of yet unpublished.
Every year, thousands of writers flock to the annual Association of Writers and Writing Programs (AWP) conference, the largest literary convention in North America.
This year, however, was special. The coronavirus pandemic cast doubt on this giant event until March 2, just two days before its start, when the organizers and the host city of San Antonio, TX, confirmed it was going forward.
Despite many attendees’ choosing to stay home and the cancellations of up to a half panels – quickly dubbed on Instagram as #AWPocalypse – #AWP20 was still a vibrant event. Many panels reconstituted themselves with new panelists, while the readings and the Bookfair proceeded as planned.
I spoke on the panel “More Than Me: Memoirists Looking Outward,” which focused on memoir as a tool to spotlight larger social issues like the ethics of science and medicine, drug policy, race, sexuality, and, in my case, family formation and public adoption systems in America today. Our panel’s 200 attendees asked probing questions and stayed on afterwards to discuss the issues raised in our books. The panel was organized by Alia Volz (far right), and included (R-L) Barrie Jean Borich, Samuel Autman, Ming Holden, and me.
The next day, I moderated another panel, called “Nurturing Future Danticats, Nabokovs, and Vuongs: Engaging Multilingual & ESL College Students in Creative Writing.” Counting a last-minute replacement of a non-attending panelist, our panel had four English instructors – Marlys Cervantes, Sharon Romero, Carla Sameth, and me – sharing working strategies on how to destigmatize these students’ voices and tailor writing pedagogies to their needs. Besides presenting the strategies and examples that we brought with us, we fielded some great questions from the audience of, roughly, 30.
As a memoirist, I couldn’t miss the panels related to my field, but also some that satisfied my professional interests, such as how to finish a long-term writing project, keep the readers’ interested past the first 70 pages, or navigate the publishing world after a book deal.
AWP is also a great place to have your writing heard. Friday, March 6, I read “When the County Is the Parent,” an essay excerpt from my memoir Dispositions, at the group reading of the AWP 2-Year College Creative Writing Caucus off-site. The reaction, just as when I read a portion of it at the memoir panel, was visceral, and I was asked numerous times when the book would finally be out.
This was a most unusual AWP, that barely made under the wire of the pandemic curfew, but still a deeply gratifying experience.
“The iPad Wars” was read at the unveiling of the annual issue of The Citadel Nov. 14 in front of about 100 students and faculty in the campus Quad. After a few years on hiatus, our venerable literary journal is back! Published at LACC for more than 50 years, The Citadel features juried fiction and poetry by the writers from our college but also from the surrounding areas (Hollywood, Silverlake, Echo Park). The theme for this issue is What the Future Holds, and I thought that my story of a father fighting his pre-teen’s conquest of the Internet would illustrate it pretty well – another crossover of parenting experience into memoiristic writing. Very pleased to be part of the issue.
Please contact me directly for the copies of the story.